20.03.09 - PRODIGY PARTY. Клуб Колизей.

[midav]

Приглашаем всех на PRODIGY party, посвященую выходу нового студийного альбома "INVADER MUST DIE" (http://theprodigy.com)


Место и время проведения:
20 марта, клуб Колизей,
вход - 35 грн, со флаером 25 грн.

Флаера скоро появятся в магазине Моби Дик

http://vadim.net.ua/party/Plakat.jpg

[saret]

кто же так "Pig Destruction Unit" пишет??!))

[midav]

кто же так "Pig Destruction Unit" пишет??!))
Не ругайте нас - мы исправимся :)

[Zali3nЯk]

новый альбум кал ((( совсем не понравился ((

[**Terrorist**]

новый альбум кал ((( совсем не понравился ((

Да ты што? Как по мне наоборот один из лутшых их альбомов

[midav]

А Вот коментарии к альбому самих PRODIGY:

THE FIFTH ALBUM FROM THE PRODIGY
Released Monday 23rd February

Invaders Must Die is the sound of The Prodigy mixing up genres, contorting the past and rewiring the future. It’s the sound of The Prodigy ram-raiding through the tranquillity of music's status quo like a blot on the landscape of England's dreaming. Still underground after all these years, still true to their vision, the album thunders like the mother of all E-rushes, hairs tingling, spine jumping and lips buzzing. Guitars crack, vocals snap and sweat soaked b-lines attack with adrenalized breakcore attitude while rushing keyboard hooks come on like a future bound arms-in-the-air flashback. But it ain't no retroactive water-sharing nostalgia trip. This set is fuelled by the saliva-dripping rabid snarl of the here and now.

Liam: “Three years ago we decided the band was in a good place and wanted to make the record. There had been quite a bit of paranoia then, people were starting to infiltrate our unit, starting to bleed into what we were and we needed to re-establish ourselves as a unit. Can’t remember whether it was Keith or Maxim that said it, but one of them went, ‘fuck it, invaders must die!’ I was like that’s the album, title right there. It stayed with us. It’s about protecting what’s yours. We’re not fucking around man. We are The Prodigy…!”

TRACK BY TRACK

INVADERS MUST DIE
“In-vader-vader-vader… we are the Prodigy”
A roughed up statement of defiant intent, the band’s first ever album title track is a blistering war cry where a shuddering, pulsating bass explodes through serrated edged beats and celebratory synth hooks.
Liam: “The first tune on any Prodigy album has to be got to be something that just tears and smacks you round the head really. ‘Spitfire’ was like that on the last album, ‘Smack My Bitch Up’ on the one before. This does it in a different way. It’s a very abrasive sounding electronic track, kind of different to anything we’ve done before. I wrote the riff about a year ago on my laptop when I was on a plane. It sounds like the kind of thing I would have written in 1992, sort of has that rave melodic feel with tearing track underneath, I had the track 60% there and hooked up with James from Does it Offend You Yeah and he pulled the missing links out of the bag. A good hook up and a different sounding Prodigy record.”


OMEN
Beamed straight into the moshpit from rave central via a contorted fucked up take on the skanking synth hooks of ‘Your Love’, thundering breaks and a one finger salute of a vocal line.
Liam: “It’s a tune we love. Very anthemic, more melodic than our usual stuff and kind of like ‘Breathe’, with its seething energy. ‘Omen’ is typical of how we worked on this album. It came together a bit at the time. We didn’t finish one track completely at a time. We’d do something and then come back to it a few months later. We had this vocal hook originally on a much slower piece of music. As the rest of the record came together, it became easier to see what it needed to be. James popped up with a few sounds and it was finished near the end.”

THUNDER
The bastard child of the Devilish threesome of 'Out of Space', Studio 1's finest roots rockers and switchblade ambience.
Maxim: “The vocal came from a time we were looking for ideas and samples and I gave Liam a CD of pure Studio 1 and he found this vocal by the Brentford Allstars. He took it and got a vocalist called Brother Culture to record it with a new melody and different words.”
Liam: “Yeah, we ripped the vocal off from the original, cos that’s our business, that’s what we do, we’re pirates, we steal things and make them our own.”

COLOURS
Four tracks in and it’s time to show your colours and nail them to the floor. The rabble rousing battle-cry of ‘Colours’ features 1991 polysynth riffing that sounds like The Stranglers' 'No More Heroes' dipped in lysergicly enhanced psychotic 60s garage and dropped into the middle of Castlemorten.
Keith: ”One of the first tracks that we felt started to get the sound we were looking for. Up until then we’d been writing complete songs in our lyrics first, music second kind of way, but we realised that wasn’t the way of the band. The energy comes from the music first and danger of the beats and the bass line, and the energy from that. ‘Colours was written in an unorthodox way for the band. It’s one of the biggest songs on the album.”
Liam: “Yeah, it’s written in a trad way. It has a Stranglers ‘No More Heroes’ feel. One of the earliest tunes to be finished.”

TAKE ME TO THE HOSPITAL
Keith and Maxim flexing over a venomous but vintage Prodigy riff. Suitably rusted, distorted and in need of urgent medication it bites like the soundtrack to Dante's Inferno. Welcome to the scene of the crash.
Liam: "Straight up buck wild! Taking inspiration from early Prodigy but spitting out in a 2009 style. This tune is a car crash of all 3 of our personalities and inspirations. Keef’s unhinged vocal, Maxim’s ’91 East London warehouse ragga shit and my bomb squad inspired production.”


WARRIOR’S DANCE
A jabbing, adrenalized octave-snarling b-line wraps its coils around a lamenting Eastern refrain before erupting into an anthemic, hands in the air, e-rushing epic, and a vocal hook that’s guaranteed to bring a gurning flashback to faces of the rave generation.
Liam: “This was the turning point of the record. Probably about the fourth or fifth track to get written. I was having problems with the album about half way through and we just decided to write this song to play live at one gig, just to take the pressure off the album. We were thinking that maybe the track would never be played again live and maybe not even get on the album. It’s a total look back to 1990-91 rave era. I thin it surprised us how fresh it sounded.”

[midav]

RUN WITH THE WOLVES
Where The Prodigy's self-assured, gang-minded campaign turns into a maniacal, nose bleeding, heads-against-the-wall warzone with body blowing beats courtesy of Dave Grohl set firmly to ultraviolence.
Keith: “A track that Dave Grohl got involved with. All started with an email to Liam saying ‘listen man I’ve finished touring and I’m bang up for doing something’. Liam said he was just finishing the album but Dave said listen, ‘I’m just going to go in the studio and put down some drums’, which he did. A hard drive arrived at our studio and out of that come the process of writing this. We had the vocal on another track already but they just weren’t working. They had too much venom for the track. But we still enjoyed the excitement of it and what it was saying and this was the ideal opportunity to make it work. Liam redid the track, then we redid the vocals and we sent it over to Dave who was like ‘yeah I was really hoping it was going to be something like this’. He was really excited and worked some more on it.”
Liam: “I think you were angry the day you wrote this weren’t you?”
Keith: “Yeah I was”
Liam: “Yeah it was definitely written about a certain someone, who we don’t know who it is but Keith does.”
Maxim: “Was it about me?’
Liam: “Nah, don’t get para. Hah, when I listen to this tune I just want to smash my head against the wall. It kind of like when the riff drops in it’s just violent you know?”

OMEN REPRISE
Menacing, stalking, watching; the dark raiders wait in the shadows, hearts beating like analogue thunder, wired into the future mainline of Bladerunner. The darkest hour before the final battle.
Liam: “It’s the only breather on the album. It’s an orchestrated version of ‘Omen’ but it really reminds me of the music from Scarface. It’s got this 80s Vangelis sound.”
Keith: “It’s like a dark Bladerunner. When I listen to it I hear rain and … yeah definitely a Vangelis vibe.”
Liam: “Not that Vangelis are cool.”
Maxim: “But it was definitely needed on the album. So much of this album is an in your face onslaught. You get a breather, then it starts again, slapping you in the face.”

WORLD’S ON FIRE
Already a fan’s favourite, this resurrects a 'flaming' theme and applies it to a groove straight out second album 'Music for the Jilted Generation' and slices it down the middle with a sample of R&S classic rave tune 'Vamp' by Outlander. It's the kind of fucked up twist that you quickly come to expect on this album.
Maxim: “Liam had some ideas that he’d been working on and I heard this and said ‘man that’s bad, you’ve got to work on that’. We started working on it … about 8 years ago! It’s had about 30 versions now, none of them seemed to work, but we kept going back to it. I was always on Liam’s case about it. We threw loads of ideas at it, you know lyrical ideas, but nothing would stick until we moved into a small studio.” Liam: “Some of the old ravers out there might recognise the sample in it. It’s Outlander’s ‘Vamp’ on R&S records, which was a huge influence on me. I still remember where I first heard that tune. It was in Raindance in East London and …”
Maxim: “We play this tune live and when that riff comes in it just goes off.”
Liam: “Maxim was the real push behind this and I eventually found a happy mix. I love this tune now.”

PIRANHA
‘Get Up Get Off’ from the last album meets old skool classic ‘Everybody in the Place’, ‘Piranha’ rips the threads from the back of 60's garage and pussy whips it into the scumbag guttercrawl of modern urban life.
Liam: “Piranha is a metaphor for something living off of you, you know, chewing off you. That was the concept of the track. We wanted to have 1960s B-movies vibe to it, garage punk 1960s sound.”
Maxim: “For me it was a chance to do different vocal ideas rather than monotone. I tried injecting more melody into the vocals. This track, like the rest of my vocals on the album is a real step up for me.”

STAND UP
After 45 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel-good horror core and your synapses snapped by whiplash attitude, Invaders Must Die delivers its final, brilliant twist - a Manfred Mann horn-drenched anthem that aches with the positivity of a new dawn and swaggers like Shaolin victors strolling through the carnage created by their own weaponry. Heads held high, wry smiles on their faces and a look that says “We are The Prodigy … no- one else comes close.”
Liam: “It’s like when you’ve been getting battered with a baseball bat and then this comes in … like when you went out and the DJ would tease you with one last tune, something warm and uplifting. It’s a really good way to end the record, uplifting and victorious. This is the real wild card on the album. I think people will go ‘is that the Prodigy or isn’t it?’ but its got this real victorious feel. It’s a tune I really love and it’s like being wrapped up in a warm blanket before you fuck off home.”

[Demeo]

OLOLO!
WE ARE THE PRODIGY!
буду однозначно)))

[KLEIH]

С Днепропетровска +2 Адназна4на))хе-хе) :yes:

[MRT]

Последний альбом PRODIGY бомба! считаю так

[koldun]

Новый альбом имхо Мего!

на пати буду и всех приглашаю!

[Storm]

І я буду обов"язково. Минулий раз пропустив потім жалів...

[Бугага:)]

буду.... н0вый альб0м в каку рвёд.....:Dance2:

[koldun]

буду.... н0вый альб0м в каку рвёд.....:Dance2:

мего..... аткого я еще не слышал ))) надо запомнить )_) буду цитировать с соблюдением копирайта )

[Бугага:)]

мего..... аткого я еще не слышал ))) надо запомнить )_) буду цитировать с соблюдением копирайта )

:rev:

[Delpic]

буду:cool:

[_-=*StyLee*=-_]

буду.... н0вый альб0м в каку рвёд.....:Dance2:

верняк! я тож тащусь! ток жаль что пропустил движуху((